“Blue Dirt Girl has a new album out called Love Adjusted. Very clean production on this one. Great bass tone, especially on the opening track, “Love Adjusted.” And needless to say because it’s Blue Dirt Girl, the vocals and lyrics are both heartfelt and emotionally intelligent. 2026”

Marc SchusterMusic blogger 'What I am listening to this morning' 06.14.26 post

“It’s their range that floors me. It’s rare to find a whole album that entertains. I can barely describe their music to a good friend. They are not to be pinned down by genre. Layered voice, exquisite harmonies that I can sing along to, relatable yet elegant lyrics pared down to the bone, and the biggest surprise of all, musical movements within most of their songs.

“Speculate” was the first one I latched onto because of its imagery and tone. “My Alice Moment” is truly a trip! “Crazy Beautiful” is the one that clings to me. (2026)”

Madeleine Wood West Coast painter and music lover.

“Blue Dirt Girl's new trio SIGHT CURVE's music grooves and turns to shape a complex narrative that you float away upon. Their Echoes of Narcissus score was like a psychedelic dream with a a knockout soundtrack.”

Sophie Yendole, Vancouver based poet, Thinking Ship

“This is not music that references influences. It breathes a sophisticated rare air. The songs channel reggae/dub, modern soul, a dash of 70’s guitar magic.”

Dennis MillsVancouver based Musician and Substack blogger.

“'I Don't Mind' completey & concisely summarizes the feeling of acceptance/peace one gets coming back out of darkness. Kathryn your ablity, as an artist, to capture ideas that touch the depths of the soul/spirit in the simplest of words is magic. The layers of complexity across all of your tracks is beautiful.”

Liz James artist/musician/singer/mother (@itslizjames)

“Love 'MISS HIM'. The subtle yet not so subtle piano progression on the track both gives character to the melody in between the bass licks yet at the same time sits back on the track as a foundational element. That's some cool mixing.”

Quizboy/Never Say Never Portland indie band & AMS Radio= supports indie music.

“'Where would I be now' is awesome track! Love the instrumentation and the changes. Bass and guitar dance very well together.”

Stephen WilliamsSongwriter/Singer/Guitarist Seattle Washington USA @stephen_williams_songwriter

“Can we just talk about the bass on SPECULATE! And that's not the only thing.... your vocals are tasty!!!!! This whole song is a groove that slaps from the intro right into the pick up in the chorus. As for the video this is great fun and love the footage from that beautiful space overlooking the ocean!”

Synthetik BlondeCanadian indie band with electrifying synthesizer and guitar-driven rock influenced by the funk of the 70s and 80s.

“The album is oddly familiar, yet refusing to ever settle into a single retro style; a sound which is old and new at once. The band puts its strongest asset up front Sutherland’s gorgeous voice. It’s strong and nuanced and, like the band’s sound, doesn’t want to fit into a single style. One moment she reminds of classic Dolly Parton, in another she recalls the energetic cries of Grace Slick.”

L.A. based Round Magazine'No street signs No straight lines' Album Review (06.21.23.)

“5 Miles Out haunts me! You have that seriousness delivered with quirkiness and wit in your music that reminds me of David Byrne.”

Maya Love CoppolaNew York based Artist/Singer/Songwriter/Instrumentalist/Producer/Videographer/Philosopher/Wise ass/Human dreaming

“The band is in control of their craft. Singer, Kathryn Sutherland, is a stunningly lovely singer and songwriter. Along with fabulous bass player Albert and a new addition, a sax player, who was so intuitive with her playing!”

Mona GleasonHowl at the Moon show attendees. (06.11.22)

“5 Miles Out '' got stuck in my head,...The last song to do that to me was from a couple or three years ago, maybe more. "5 Miles Out" feels like it's smarter older sister.”

Michael TurnerCanadian musician and writer.

“A 10th Anniversary is a special landmark Blue Dirt Girl music~Kathryn Sutherland and Albert Klassen .....may the special moment be spent in nostalgia recounting the days and years of highlights, a few lows and some struggles maybe, the wonderful people you would have met along the way and the joy of putting music to words and stories. 🎶🎤
All the best for the future too....may your musical growth continue bringing you happiness and contentment.”

Peter Chittaranjan VIA Rail passenger/VIA Tour 2025

“I cannot put my finger on which era the singles on your new album No Street Signs No Straight Lines come from. The 70's, 80's sometimes 90's. Your sound is timeless.”

Audience feedback.'No Street Signs No Straight Lines' album release concert (08.18.23)

“Your music is like a painting. The bass is the outline and the vocals and guitar are the colours filling in the image.”

Audience feedback'No Street Signs No Straight Lines' release concert. (07.17.23)

“Your songs are positive in a time of such deep negativity. You sing about ordinary things that are so important: kids, walks, the land, friends, family.”

Audience feedback'No Street Signs No Straight Lines' album release concert. (06.25.23)

“I listened to your EP, a nice variety of sounds, vibes and ambiances...I was listening to Shed a Tear, it reminded me of the good years of the Young Marble Giants and Week-End-1978 to 1983 through the lens of Alison Stattons voice and songs.”

Marc FournierCBC host/World music DJ Crazy Beautiful album single review (2016)

“The latest four song EP from this Vancouver singer is a much funkier affair than 2016's Crazy Beautiful. Elements of classic seventies New York proto punk find their way into the angular grooves of Sunset Daddy and the sinewy bass lines in BLOOD...17 year-old guitarist Max Evans mentored by the Blue Dirt Girl trio, the young player lays down some really sharp licks on all the songs, with I Don’t Mind a particular standout. (2021 EP review)”

Stuart Derdeyn - Vancouver Sun Music Reviewer

“Singer/songwriter Kathryn Sutherland, bassist/vocalist/mandolinist Albert Klassen and drummer/percussionist Jason Overy are all seasoned musicians clearly at home in any number of genres... the band goes from the funky shuffle of the opening tune Shed A Tear to the near-perfect AAA pop such as Hey or the closing track Desire with obvious chemistry. Sutherland has a fluid delivery with a particular talent for shifting gear and range from verse to verse effortlessly...(2016 Crazy Beautiful album review)”

Stuart Derdeyn - Vancouver Sun Music Reviewer

“Text 1 has sounds reminiscent of 70's and 80's but remains new and elevated with topics of texting communication and technology. As 'Text 1' seamlessly transitions from 'STC' the song features amazing production with: melodic keys, syncopated guitar and enhancing sound effects. One of the most distinctive moments is after the first chorus as the song 'breaks down' with a drum fill that briefly shifts the production then snaps back to the steady drumming tempo.”

Unsigned BC Coop Radio showwww.unsignedbc.com

“Sophisticated sound that is a mix of punk, pop and sensuous jazz. Kathryn Sutherland has an extraordinary voice, passionate yet smooth. An accomplished ensemble.”

Stephanie B.Howl at the Moon show attendees. (06.11.22)

“Our latest album 'No Street Signs No Straight Lines' included on Tinnitist Magazines weekly
HOMEGROWN CANADIAN INDIE MUSIC List (10.05.24)
https://tinnitist.com/2023/10/05/canadian-beacon-jimbo-sean-burns-stardrop-more-new-homegrown-sounds/”